title  author  designer  WebTake
 writing machines  n. katherine hayles  anne burdick  erik loyer

About the Book

Web Supplement: User's Guide
Author Interview

Tracing a journey from the 1950s through the 1990s, N. Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts.

Weaving together Kaye's pseudo-autobiographical narrative with a theorization of contemporary literature in media-specific terms, Hayles examines the ways in which literary texts in every genre and period mutate as they are reconceived and rewritten for electronic formats. As electronic documents become more pervasive, print appears not as the sea in which we swim, transparent because we are so accustomed to its conventions, but rather as a medium with its own assumptions, specificities, and inscription practices. Hayles explores works that focus on the very inscription technologies that produce them, examining three writing machines in depth: Talan Memmott's groundbreaking electronic work Lexia to Perplexia, Mark Z. Danielewski's cult postprint novel House of Leaves, and Tom Phillips's artist's book A Humument. Hayles concludes by speculating on how technotexts
affect the development of contemporary subjectivity.

"Writing Machines is a major addition to the scholarship on hypertext and, in general, on the relation of technology to literature. As this volume so clearly demonstrates, Hayles is a subtle reader of texts, a knowledgeable critic of new technology, and a fine theorist of culture... I am certain readers of Writing Machines will place it near the top of their list of books on hypertext."
--Mark Poster, University of California, Irvine

"In the age of the immaterial, Writing Machines compellingly argues that all forms of literature are inescapably material. Through Burdick's melding of graphic evidence and Hayles' weaving of critical and biographical perspectives, Writing Machines deftly embodies its subject while disrupting our expectations about academic publishing."
--Andrew Blauvelt, Design Director, Walker Art Center

"Kate Hayles reads with real attention and attention to the real, attending to electronic literature and hybrid verbal/visual forms with an eye to the materiality and mediality at their heart."
--Michael Joyce

An extension of the book, the Writing Machines Web Supplement includes the lexicon linkmap, notes, index, bibliography, errata, and source material. The reader/user can explore alternative mappings of the book's conceptual terrain with additional functionalities unavailable in print, then print insert pages to customize the book itself.

Writing Machines is the second volume in the Mediawork Pamphlet series.

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