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Zdenka BadovinacEda Čufer
The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century.
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Lauren CornellEd Halter
Essays, discussions, and image portfolios map the evolution of art forms engaged with the Internet.
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An innovative analysis of Simone Forti’s interdisciplinary art, viewing her influential 1960s “dance constructions” as negotiating the aesthetic strategies of John Cage and Anna Halprin.
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Peter Weibel
Documenting and describing the emerging “performative democracy,” the first new art form of the twenty-first century.
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In essays that span three decades, one of contemporary art’s most esteemed critics celebrates artists who have persevered in the service of a medium.
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Jay A. Clarke
Dramatic photographs depicting the ever-changing forms of ocean waves during storms; the first complete presentation of the “Hurricane Waves” series.
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Joseph ThompsonJay A. Clarke
The first comprehensive survey of Clifford Ross’s work, from large-scale, highly detailed photographs to multimedia pieces; with more than 100 images.
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Gilda Williams
Writings about Andy Warhol by critics, artists, cultural theorists, and Factory associates together with archival material, interviews, and texts by Warhol himself.
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“This compact volume gives the sense of being present for the invention of photography…. [Nadar] writes engagingly of photographing a dead man and meeting a bee tamer, and we are charmed.”—San Francisco Chronicle
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Melissa Ragain
Influential writings by the legendary art critic and theorist Jack Burnham—a pioneer in new media systems aesthetics and an early advocate of conceptualism.
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Zdenka BadovinacEda Čufer
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Lauren CornellEd Halter
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Peter Weibel
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Jay A. Clarke
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Joseph ThompsonJay A. Clarke
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Gilda Williams
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Melissa Ragain
























