Contemporary Art in Asia
In 2008, Asia stormed the citadel of the New York art world when two major museums presented retrospectives of Asian contemporary artists: Cai Guo-Qiang at the Guggenheim Museum and Takashi Murakami at the Brooklyn Museum. Meanwhile, in Hong Kong, a painting by Zeng Fanzhi sold for $9.5 million, setting a new world auction record for Chinese contemporary art. The Western art world is still coming to grips with the challenge: it is all about Asia now. This book is the first anthology of critical writings to map the shift in both the nature and the reception of Asian art over the past twenty years. Offering texts by leading figures in the field (mostly Asian), and including more than fifty illustrations in color and black and white, it covers developments in East Asia (including China, Korea, and Japan), South Asia (including India and Pakistan), and Southeast Asia (including Vietnam, Indonesia, and Thailand). Together, the twenty-three texts posit an historical and pan-Asian response to the question, "What is Asian contemporary art?" Considering such topics as Asian modernism ("productive mistranslation" of the European original), Asian cubism, and the curating, collecting, and criticism of Asian contemporary art, this book promises to be a foundational reference for many years to come.
About the Editors
Melissa Chiu is Museum Director and Vice President of Global Art Programs at the Asia Society in New York.
Benjamin Genocchio is a former art critic for the New York Times and is currently editor-in-chief of Art + Auction and Modern Painters magazine.
Table of Contents
- Contemporary Art in Asia
- Contemporary Art in Asia
- A Critical Reader
- edited by Melissa Chiu and Benjamin Genocchio
- The MIT Press
- Cambridge, Massachusetts
- London, England
- © 2011
- Massachusetts Institute of Technology
- All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher.
- The publisher would like to thank the China Art Foundation for the generous gift which made this publication possible.
- MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email firstname.lastname@example.org or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142.
- This book was set in Chaparral Pro by The MIT Press. Printed and bound in Canada.
- Library of Congress Cataloging-in-Publication Data
- Contemporary art in Asia : a critical reader / edited by Melissa Chiu and Benjamin Genocchio.
- p. cm.
- Includes bibliographical references and index.
- ISBN 978-0-262-01491-5 (hardcover : alk. paper)
- 1. Art, Asian—20th century. 2. Art, Asian—21st century. I. Chiu, Melissa. II. Genocchio, Benjamin.
- N7260.C627 2011
- 10 9 8 7 6 5 4 3 2 1
- Acknowledgments ix
- Editorial Note ix
- Introduction: What Is Asian Contemporary Art? Mapping an Evolving Discourse
- Melissa Chiu and Benjamin Genocchio 1
- Part 1 Asian Modernisms: Issues and Debates
- National/Modern: Preliminaries (1991)
- Geeta Kapur 15
- Open and Closed Discourses of Modernity in Asian Art (1993)
- John Clark 27
- Developing Regionalist Perspectives in Southeast Asian Art Historiography (1996)
- T. K. Sabapathy 47
- Multiculturalism/Multimodernism (1996)
- Jim Supangkat 63
- Imagining Asia: A Genealogical Analysis (2003)
- Wang Hui 87
- Why Cubism? (2006)
- Tatehata Akira 107
- Part 2 Representing Asia: Curation and Criticism
- The Future: Post-Cold War, Postmodernism, Postmarginalia (Playing with Slippery Lubricants) (1993)
- Apinan Poshyananda 119
- Cities on the Move (1997)
- Hou Hanru and Hans-Ulrich Obrist 139
- Contemporary Asian Art and Its Western Reception (2002)
- David Clarke 153
- Home and Away: Highways and Byways in Asian Art (2004)
- Chaitanya Sambrani 163
- Beyond the “Authentic-Exotic”: Collecting Contemporary Asian Art in the Twenty-first Century (2005)
- Vishakha N. Desai 179
- The Curatorial Turn in Southeast Asia and the Afterlife of the Modern (2008)
- Patrick D. Flores 197
- Biennale Demand (2008)
- Lee Weng Choy 211
- The Politics of Curating “Contemporary Korean Art” for Audiences Abroad (2008)
- Young Min Moon 223
- Part 3 Expanding Asia: New Art Histories
- The Mono-ha: Foreshadowings and Premonitions (1977; revised 2001)
- Lee Ufan 243
- Modernism and the Chinese Other in Twentieth-Century Art Criticism (1996)
- Alice Yang 249
- Conceptual Art with Anticonceptual Attitude: Mainland China, Taiwan, and Hong Kong (1999)
- Gao Minglu 265
- Radicalizing Tradition (2000)
- Salima Hashmi 285
- Historicizing “Contemporary Art”: Some Discursive Practices in
- Gendai Bijutsu in Japan (2004)
- Reiko Tomii 295
- Theories of Being Outside: Diaspora and Chinese Artists (2007)
- Melissa Chiu 327
- What Is Feminist about Contemporary Asian Women’s Art? (2007; revised 2009)
- Joan Kee 347
- Reinscribing Tradition in a Transnational Art World (2007)
- Gennifer Weisenfeld 371
- A Case of Being “Contemporary”: Conditions, Spheres, and Narratives of Contemporary Chinese Art (2008)
- Wu Hung 391
- Suggestions for Further Reading 415
- Contributors 419
- Index 425
—Roger T. Ames, Department of Philosophy, University of Hawai’i
—Richard Streitmatter-Tran, artist and co-curator of "The Mekong" at the 6th Asia Pacific Triennial of Contemporary Art
—Katie Hill, Senior Lecturer in Contemporary Chinese Art, University of Westminster
—Stefan Landsberger, Olfert Dapper Professor of Contemporary Chinese Culture, University of Amsterdam, and Associate Professor in Contemporary Chinese History, Leiden University