Moscow Symposium

From Sternberg Press / e-flux journal

Moscow Symposium

Conceptualism Revisited

Edited by Boris Groys

Distributed for Sternberg Press

Paperback $16.00 T

Not for sale in Europe or the UK.

Overview

Author(s)

Summary

Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter, other forms of life—not only as works, but as a basic condition for being able to perceive artworks in the first place. Could it be that the Moscow Conceptualists were so elusive or saturated with the particularities of life in a specific economic and intellectual culture that they precluded integration into a broader art historical narrative? If so, then their simultaneously modest and radical approach to form may present a key to understanding the resilience and flexibility of a more general sphere of global conceptualisms that anticipate, surpass, or even bend around their purported origins in canonical European and American regimes of representation, as well as what we currently understand to be the horizon of artistic practice.

e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle

Contributors Claire Bishop, Keti Chukhrov, Ekaterina Degot, Jörg Heiser, Terry Smith, Anton Vidokle, and Sarah Wilson

Paperback

$16.00 T ISBN: 9783943365115 176 pp. | 4.25 in x 7 in 11 b&w illus.

Not for sale in Europe or the UK.

Editors

Boris Groys

Boris Groys is Professor of Russian and Slavic Studies at New York University, Senior Research Fellow at the Academy of Design in Karlsruhe, Germany, and Professor at the European Graduate School in Saas Fee, Switzerland. He is the author of Art Power, History Becomes Form: Moscow Conceptualism (both published by the MIT Press), and other books.