Publishing Manifestos

Publishing Manifestos

An International Anthology from Artists and Writers

Edited by Michalis Pichler

Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice.
Hardcover $29.95 T £25.00

Overview

Author(s)

Praise

Summary

Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice.

Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue—or even medium—for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.

The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile—including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.

Contributors AND Publishing, Oswald de Andrade, Archive Books, Art-Rite, Rasheed Araeen, Tauba Auerbach, Michael Baers, Bibi Bakare-Yusuf, Ricardo Basbaum, Derek Beaulieu, Bernadette Corporation, Riccardo Boglione, Bombay Underground, Jorge Luis Borges, bpNichol, Kate Briggs, Broken Dimanche Press, Eleanor Vonne Brown, Urvashi Butalia, Ulises Carrión, Mariana Castillo Deball, Paul Chan, Chimurenga, Arpita Das, Anita Di Bianco, Guy Debord, Constant Dullaart, Craig Dworkin, Ntone Edjabe, Zenon Fajfer, Marina Fokidis, General Idea, Annette Gilbert, Girls Like Us, Gloria Glitzer, Marianne Groulez, Alex Hamburger, Karl Holmqvist, Lisa Holzer, Mahmood Jamal, Tom Jennings, Ray Johnson, David Jourdan, Sharon Kivland, Kione Kochi, Kwani?, Bruce LaBruce, Tan Lin, El Lissitzky, Alessandro Ludovico, Sara MacKillop, Steve McCaffery, Jonathan Monk, Simon Morris, Mosireen, León Munoz Santini, Takashi Murakami, Deke Nihilson, Aurélie Noury, Johnny Noxzema, Clive Phillpot, Michalis Pichler, Seth Price, Riot Grrrl, Carlos Soto Román, Allen Ruppersberg, Joachim Schmid, Oliver Sieber, Paul Soulellis, Matthew Stadler, Gertrude Stein, Paul Stephens, Hito Steyerl, Mladen Stilinović, Katja Stuke, Temporary Services, Nick Thurston, TIQQUN, Elisabeth Tonnard, V. Vale, Eric Watier, Erik van der Weijde, Lawrence Weiner, Eva Weinmayr, Jan Wenzel, Stephen Willats, Gil J Wolman, zubaan

Copublished with Miss Read: The Berlin Art Book Fair

Hardcover

$29.95 T | £25.00 ISBN: 9780262537186 340 pp. | 7 in x 9.5 in 69 b&w illus.

Editors

Michalis Pichler

Michalis Pichler, an artist-author, has published conceptual bookworks with Printed Matter, Revolver/Archiv für aktuelle Kunst, cneai (Chatou), and Kunstverein Milano and edited the critical anthology Books and Ideas after Seth Siegelaub. He cofounded Miss Read: The Berlin Art Book Festival, an artist-run public meeting place for discourse around artists' books, conceptual publications, publishing as practice, which has evolved into Europe's largest book fair.

Endorsements

  • A vibrant artistic and political publishing sphere has been developing since the turn of the millennium. This long-desired reader, compiled by one of the best insiders of the independent art publishing scene, is not only a valuable document but is itself a manifesto, a call to action to the publishing, artistic, and literary world: it is vital to cocreate the future of publishing.

    Annette Gilbert

    editor of Publishing as Artistic Practice

  • Here, finally, is the manifesto that we've been waiting for. Michalis Pichler's provocative question to innovative artbook and zine publishers about their felt need to make books generates an array of important responses, including a very interesting reflection on the personal and political implications of self-publishing. Along the way, the volume provides a useful overview of some of the most vital independent artists operating today.

    Alexander Alberro

    author of Conceptual Art and the Politics of Publicity

  • Wow—this dense anthology is a mega- and meta-artist's book in its own right; indispensable reading for radical artists' publishing practice. It's all in here: hard work  commingled with fun play!

    Max Schumann

    director of Printed Matter, Inc.

  • A BOOK IS A BOOK FOR ALL THAT

    Lawrence Weiner

    artist