Filipa Ramos

Filipa Ramos is editor-in-chief of art-agenda and a Lecturer in Experimental Film at Kingston University and Moving Image at Central Saint Martins, London. She is the author of Lost and Found: Crisis of Memory in Contemporary Art (2009).

  • Animals

    Animals

    Filipa Ramos

    The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.

    Animals have become the focus of much recent art, informing numerous works and projects featured at major exhibitions including dOCUMENTA (13) (2013), the 10th Shanghai Biennale (2014), and the 56th Venice Biennale (2015). Contemporary art has emerged as a privileged terrain for exploring interspecies relationships, providing the conditions for diverse disciplines and theoretical positions to engage with animal behavior and consciousness.

    This interest in animal nature reflects a number of current issues. Observations of empathy among nonhumans prompt reconsiderations of the human. The nonverbal communication of animals has been compared with poetic expansion of the boundaries of language. And the freedom of animal life in the wild from capitalist subordination is seen as a potential model for reconfiguring society and our relationship to the wider environment. Artists' engagement with animals also opens up new perspectives on the dynamics of dominance, oppression, and exclusion, with parallels in human society. Animal nature is at the heart of debates on the Anthropocene era and the ecological concerns of scientists, thinkers, and artists alike. Centered on contemporary artworks, this anthology attests to the trans-disciplinary nature of this subject, with art as one of the principal points of convergence.

    Artists surveyed include Allora & Calzadilla, Francis Alÿs, Julieta Aranda, Brandon Ballengée, Joseph Beuys, Marcel Broodthaers, Lygia Clark, Marcus Coates, Jimmie Durham, Marcel Dzama, Simone Forti, Pierre Huyghe, Natalie Jeremijenko, Joan Jonas, Eduardo Kac, Mike Kelley, Henri Michaux, Robert Morris, Henrik Olesen, Lea Porsager, Julia Reodica, Carolee Schneemann, Michael Stevenson, Rodel Tapaya, Rosemarie Trockel, Apichatpong Weerasethakul, Haegue Yang, Adam Zaretsky

    Writers include Giorgio Agamben, Steve Baker, Raymond Bellour, Walter Benjamin, John Berger, Jonathan Burt, Ted Chiang, Simon Critchley, Gilles Deleuze, Jacques Derrida, David Elliott, Carla Freccero, Maria Fusco, Tristan García, Félix Guattari, Donna J. Haraway, Seung-Hoon Jeong, Miwon Kwon, Chus Martinez, Brian Massumi, Thomas Nagel, Jean-Luc Nancy, Ingo Niermann, Vincent Normand, Ana Teixeira Pinto, Will Self, Jan Verwoert, Eduardo Viveiros de Castro

    • Paperback $24.95

Contributor

  • Thyssen-Bornemisza Art Contemporary

    Thyssen-Bornemisza Art Contemporary

    The Commissions Book

    Daniela Zyman and Eva Ebersberger

    A massive anthology of texts, visual material, and research on TBA21's commissions and the foundation's vast collection of over 700 artworks.

    "What survives after the artwork?" asks curator and researcher Natasha Ginwala in one of the essays in Thyssen-Bornemisza Art Contemporary: The Commissions Book, a new and comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21), founded by Francesca Thyssen-Bornemisza in Vienna, Austria, in 2002. "The artwork is not just the thing in itself, but also the metaphysical infrastructure and unfinished relationships that produce it," Ginwala writes. In that sense, this anthology of texts, visual material, and research on TBA21's commissions and the foundation's vast collection of over 700 artworks serves as vivid testimony to the processes and relationships that enabled them.

    In more than 1,300 pages, The Commissions Book engages with more than 100 works of art, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images. The stories embedded in these works, as well as in TBA21 and TBA21-Academy's practice--an itinerant site of transdisciplinary research and cultural production engaging with the oceans--is a story of making new connections, or rather creating interconnections. Bringing together visual and written material from TBA21's commissioning practice and vast history of exhibitions and live events, The Commissions Book also goes beyond the foundation's archives to present new works and commissions by Cecilia Bengolea, Claudia Comte, SUPERFLEX, and Territorial Agency, amongst many others. New essays by Natasha Ginwala's and such transdisciplinary feminist thinkers as Astrida Neimanis and Eva Hayward transcend individual artistic positions and ask questions that lie at the core of TBA21's program.

    • Hardcover $35.95
  • The Wild Book of Inventions

    The Wild Book of Inventions

    Chus Martínez

    In essays, poems, sketches, and photographs, twenty authors challenge the exclusive human claim to intelligence.

    Can contemporary art's practitioners change the way we perceive nature? In The Wild Book of Inventions, twenty authors employ a variety of forms, including speculative essays, poems, pencil sketches, and photo essays, to challenge the exclusive human claim to intelligence by pointing to, or inventing, new forms of coexistence for all life-forms. Far more complex than the necessary and continuous exercise of critique, these contributions introduce new ways to experience culture.

    Contributors

    Nabil Ahmed, Armen Avanessian, Hannah Black, Kristina Buch, Tyler Coburn, Ann Cotten, Paul Feigelfeld, Fernando García-Dory, Kenneth Goldsmith, Anke Hennig, Ingela Ihrman, Tiphanie Kim Mall, Chus Martínez, Momus, Ingo Niermann, Trevor Paglen, Filipa Ramos, Lin May Saeed, Emily Segal, Johannes Willi

    • Paperback $25.95
  • Theater, Garden, Bestiary

    Theater, Garden, Bestiary

    A Materialist History of Exhibitions

    Tristan Garcia and Vincent Normand

    Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions.

    This volume gathers and expands upon the results of the research project “Theater, Garden, Bestiary: A Materialist History of Exhibitions,” held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.

    Contributors

    Etienne Chambaud, Elitza Dulguerova, Anselm Franke, Tristan Garcia, Fabien Giraud & Raphaël Siboni, Dorothea von Hantelmann, Yuk Hui, Pierre Huyghe, Sami Khatib, Jeremy Lecomte, Stéphane Lojkine, Rafael Mandressi, Vincent Normand, Peter Osborne, Filipa Ramos, Juliane Rebentisch, João Ribas, Pamela Rosenkranz, Anna-Sophie Springer, Lucy Steeds, Olivier Surel, Etienne Turpin, Kim West, Charles Wolfe

    • Paperback $33.00