Joanna Warsza

Joanna Warsza is a curator in the fields of visual and performing arts and architecture. She was an artistic director of Public Art Munich from 2016 to 2018 and since 2014 she has led the curatorial program CuratorLab at Konstfack University in Stockholm.

  • Janek Simon

    Janek Simon

    Synthetic Folklore

    Joanna Warsza

    Essays, conversations, and documentation map the work of the artist Janek Simon.

    Artist Janek Simon tends to say he is interested in many, even too many, things: from globalization and political geography to artificial intelligence and financial speculation, from DIY strategies to postcolonial theories within Eastern Europe. This reader decodes fifteen years of his work. It opens with the world of synthetic folklore, a speculative visual language between particularism and universalism, created with the help of AI and composed of mosaics generated by algorithms combining motifs from India, Africa, South America, Europe, and Poland. Simon's work asks if AI can protect us from the traps of homogenization, xenophobia, and essentialism, and what a new universalism would look like in the era of the identity politics. Essays, conversations, and documentation map Simon's footsteps, extensively presenting for the first time his work and life, which has been from time to time supported by art institutions such as the Ujazdowski Castle Centre for Contemporary Art, where he held his survey show in Spring 2019.


    Inke Arns, Max Cegielski, Ekaterina Degot, Łukasz Gorczyca, Nav Haq, Virginija Januškevičiūtė and Monika Lipšic, Nina Katchadourian, Joanna Kordiak, Lev Manovich, Daniel Muzyczuk, Sina Najafi, Lech Nowicki, Ana Teixeira Pinto, Aleksandra Przegalińska, Mohammad Salemy, Sumesh Sharma, Jan Sowa, Joanna Warsza and others.

    • Hardcover $32.00
  • Red Love

    Red Love

    A Reader on Alexandra Kollontai

    Alexandra Kollontai, Michele Masucci, Maria Lind, and Joanna Warsza

    Revisiting the ideas of a Russian revolutionary and feminist on such topics as sexual politics, free love, and motherhood.

    Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the “Women's Department” in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered “comradely love” to be an important political force, elemental in shaping social bonds beyond the limitations of property relations.

    Red Love stems from a yearlong research by CuratorLab at Konstfack University together with Tensta konsthall, that led up to Dora García's exhibition Red Love and its related public programing. A number of artists and thinkers revisit Kollontai's ideas on the politics of love and their relation to current political, social, and feminist struggles. The publication also includes the biographical play Kollontai from 1977 by distinguished Swedish writer Agneta Pleijel.

    Part critical analysis and part artist book Red Love seeks to address the ongoing relevance of Kollontai's thought, and the increasingly complex sphere of love relations in advanced capitalism. Is there a place for Kollontai's vision of comradely love today and how could it be formed?

    • Paperback $26.00
  • Ministry of Highways

    Ministry of Highways

    A Guide to the Performative Architecture of Tbilisi

    Joanna Warsza

    Once described as “Italy gone Marxist,” Georgia, located in both an advantageous and vulnerable geopolitical position between the Black Sea, Russia, Central Asia, and the Middle East, enjoys a Mediterranean climate and viniculture in combination with a community-oriented and self-determined spirit. Its informal, vernacular, and palimpsestic architecture—reflected in the stunning former Ministry of Highways erected in 1975—reveals the uncanny anticipatory and progressive potential of a place where the past is neither monumentalized nor destroyed, but built upon. Taking the exhibition “Frozen Moments: Architecture Speaks Back” (2010) as its starting point, this guidebook maps the social, urban, and art discourses of the country's post-Soviet years as seen from its hilly capital of Tbilisi.

    The publication accompanies the exhibition of the Georgian Pavilion at the 55th International Art Exhibition—la Biennale di Venezia titled “Kamikaze Loggia,” curated by Joanna Warsza.

    Copublished by the Other Space Foundation and Casco—Office for Art, Design and Theory

    Contributors Ei Arakawa, Ruben Arevshatyan, Levan Asabashvili, Bouillon Group, George Chakhava, Thea Djordjadze, Didier Faustino, Yona Friedman, Nana Kipiani, Nikoloz Lutidze, Marion von Osten, Nini Palavandishvili, Gela Patashuri, Lali Pertenava, Marjetica Potrč, Richard Reynolds, Slavs and Tatars, Gio Sumbadze, Sophia Tabatadze, Éric Troussicot, Jan Verwoert, Aleksandra Wasilkowska, et al.

    • Paperback $22.00