Stephen Jones

Stephen Jones is an Australian video artist and electronic engineer.

  • Synthetics

    Synthetics

    Aspects of Art and Technology in Australia, 1956-1975

    Stephen Jones

    A critical and comprehensive account of the emergence of electronic arts in Australia.

    New technologies continually arise, offering repeated opportunities to artists in search of the technologically novel. Stephen Jones calls this phenomenon the "rolling new," and in Synthetics he describes how artists in Australia used new technologies in their art, from the early days of digital computing in the 1950s to a landmark exhibition in 1975. Jones looks at not only the artists and the artworks they produced but also at the evolution of computing technologies and video displays as these new forms of media developed into tools that artists could use. He also examines the collaborations that sprang up between artists and the technologists who taught them how to use these new devices. The process, he finds, was reciprocal: the offerings of the engineer could inspire the artist as much as the needs of the artist could inspire the engineer.

    Jones discusses the constraints imposed by the limitations of new technologies as they developed and shows that different types of output and display technologies made for the production of very different kinds of images. He explores the development of computer graphics, the use by artists of such new conceptual paradigms as post-object art, and the emergence of video art in the late 1960s and early 1970s. By 1975, the art and technology movement in Australia reached something of a watershed. The work itself became established as an art form just as funding dwindled and a popular and supportive left-wing government left office. And yet, Jones writes, the early electronic artists laid the foundation for today's burgeoning culture of new media art in Australia.

    • Hardcover $9.75 £7.99

Contributor

  • Relive

    Relive

    Media Art Histories

    Sean Cubitt and Paul Thomas

    Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future.

    In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history—the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history.

    The contributors consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future—how the future has been imagined, planned for, and established as a vector throughout the history of new media arts.

    These essays, written from widely diverse critical perspectives, capture a dynamic field at a moment of productive ferment.

    Contributors Susan Ballard, Brogan Bunt, Andrés Burbano, Jon Cates, John Conomos, Martin Constable, Sean Cubitt, Francesca Franco, Darko Fritz, Zhang Ga, Monika Gorska-Olesinska, Ross Harley, Jens Hauser, Stephen Jones, Douglas Kahn, Ryszard W. Kluszczynski, Caroline Seck Langill, Leon Marvell, Rudy Rucker, Edward A. Shanken, Stelarc, Adele Tan, Paul Thomas, Darren Tofts, Joanna Walewska

    • Hardcover $45.00 £38.00