MIT Press Live! presents an author talk with Alexis Boylan, author of Visual Culture
About the book
The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see—color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West—somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? Visual Culture, a volume in the MIT Press Essential Knowledge series, offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see—and what is at stake in doing so.
Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples—from Judy Chicago’s The Dinner Party and Beyoncé and Jay-Z at the Louvre to the first images of a black hole—Alexis Boylan considers how we engage with and are manipulated by what we see. She begins with what: what is visual culture, and what questions, ideas, and quandaries animate our approach to the visual? She continues with where: where are we allowed to see it, and where do we stand when we look? Then, who: whose bodies have been present or absent from visual culture, and who is allowed to see it? And, finally, when: is the visual detached from time? When do we see what we need to see?
“Boylan’s work is provocative: she pushes readers to step outside of the routine passive reception to images everywhere and asks for consideration of the impact of these thousands of images on our psyches and our sense of our place in the world.” —PopMatters
About the author
Alexis L. Boylan is Director of Academic Affairs at the Humanities Institute of the University of Connecticut, where she is also Associate Professor in the Art and Art History Department and Africana Studies Institute. She is the author of Ashcan Art, Whiteness, and the Unspectacular Man.